In The Hood
7 posts
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Hi , |
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We’ll need to see the image, can you link to it please? |
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I took the liberty of posting up the image, Wayne, hope you don’t mind. |
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Thankyou Mark I appreciate it. |
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Well, seems like you aren’t getting any bites, so I’ll throw my hat into the ring. Wayne, I rejected the shot personally. Firstly, please understand that not only are we not (and I mean this in the least offensive way) interested in what awards a photo may have won – we are not even concerned with who the photographer is. We base our selections on the sole merit of the photo, as we see it, and that only. I will copy/paste my selection process here for you: *What we want- Tweaks- Burning, dodging, distorting, vignettes, HDR treatment, selective colouring – these will more then likely get your image rejected, unless used in the most gentle way, and ONLY as an overall enhancement – not as an effect. Overlays, textures, montages, compilations, 3D work, Photoshop filters – are not accepted. Yes – they can look beautiful. But this is not the gallery for those works. When screening an image, we will try not to consider the artist. In other words – we are interested in the Art, not who performed it, their reputation, their previous work, or their potential. We will screen entries on the above guidelines, followed by these three criteria: Story – by this, we mean the emotion/message/impact of the work A successful photograph will have a very high score (figuratively speaking) in at least one of these criteria – but not necessarily all. Example: A photograph of a person leaping from a burning building could be taken with your camera phone, blurry as all heck, and composed horribly – yet still make the gallery based on the ‘story’. A photograph of an endangered animal in the wild, or a particularly poignant photo-journalistic event would have a high originality score, and would be forgiven a slightly lower score in the other two criteria.* Now, your work specifically: First thing I notice, is what appears to be a red (or overly warm) cast to the portrait. This immediately stands out to me, and is not appealing. I can tell that there is a mood trying to escape the portrait – perhaps anger, or angst – but I cannot really feel it. I am not sure whether this is a staged shot, or a candid. But either way, it just does not have the power to overcome the fact that it is a relatively mundane portrait of a man in a hood. Lighting is not exceptional, the blue reflection on the hood almost mocks the mood, and there is (at least in the RB version) no detail in the dark areas (yes, I realise the difficulty of a night shot with a white top and black hood :) ) The only redeeming features I feel this photo has, is that the man is good looking, and it is framed perfectly. But I am afraid it is not enough, sorry man. |
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Hi Mark, and thankyou for your feedback, it’s always good to get constructive criticism as it gives a different perspective. It is also important that the observer feels the emotion in the image, otherwise it hasn’t worked. The blue reflection is a logo on the hood,and he is of Indian background, perhaps that may explain the red cast.? The image was taken around 6.30pm and I used a flash. |
