Featured Work

  • Finding Beauty in Negative Spaces (part 1) by Paul Goodman

    This is the first in a series of images that I did for Doncaster College. This is the most extensive collaboration I have taken part in. The garments were created by several of the fashion student at Doncaster College and the photography was done by now ex-student Daniel Heaton. I took the shots and adjusted them to create the striking images you see here.

  • Welcome Home Henrietta by edwardfish

    June 26th How excited I am! Tomorrow is my birthday, and my sisters have told me that Papa will be arriving first thing, and that he has a very special treat in store for me. Naturally since learning of this, I have been at pains to discover what awaits me. Yet to my utter dismay, when I try to interrogate my sisters , they will only say that they are sworn to secrecy, then glance at one another and burst into infuriating giggles. I feel that if I am to succeed in my endeavour to extract the necessary information before morning, I must first get to each of them separately, then use all the cunning and ingenuity inherited from my beloved father. What springs immediately to mind, is to adopt the guile of one of Nature’s predators and pursue the weaker of the pack. Knowing as I do of Audrey’s great fondness for fruit bonbons, I shall arm myself with said items, and make my way to her bedchamber this very evening. Let us see how long her lips remain sealed when such delightful confection is offered in exchange for her secrets!

  • Forgotten by TheiaPhotography

    another one to forget

  • the Botanist by Thomas Dodd

    ..

  • The "Liberator" by Tom Godfrey

    It’s some time since I entered a pic in the horror genre. Sadly this one is not really fantasy. A liberator, a deliverer from minority oppression. yeh right! Talk about ”...out of the frying pan and into the fire”

  • haunting by orourke

    havent had a chance to take any photo’s in a few days , so i went back to old photo’s and had a bit of fun in photoshop. photoshop manipulation of a photograph, this is much better viewed large as there is alot of texture and detail. thanks for stopping by.

  • Red Moon by MinoYasue

    Digital painting.

  • Sweet Dream by MinoYasue

    Digital Paint

  • Nature's Machine by Paul Goodman

    Did this image to demonstrate my photoshop skills at college. / It was featured on the front page of redbubble.

  • Self Portrait by Paul Goodman

    I did this self portrait as a college brief. / The asked us to produce a self portrait in the style of an artist that inspires me and who’s style represents who I am. / The artist I chose was concept artist Andrew Jones.

Recent Work

  • Day after Day... 2 by Antanas

    COLLABORATION with Blue71

  • I’ve had a few people ask how I achieved the finish to some of my portraiture works, so as promised, I’ll try and explain as best I can, how I acheived the image below. This is by no means a step by step guide, as I generally just mess about with an image until I’m happy with it. There are however, certain effects in photoshop I tend to favour for certain subject matters, so I can at least give you an insight into those! To start of with, if you are going to heavily edit a photo, it’s generally important you are working on perfectly focussed image in the first place, so if you are going for quality, use a tripod. The reason this is important, is because when you edit your work, you are directly affecting the pixels of your digital image, and somtimes, editing can cause pixel loss, therefore reducing the quality and sharpness of the image. Lighting is another important factor – it doesn’t have to be perfect, but make sure you don’t have any areas that are very under or over-exposed. One thing I always do when I start editing, is to duplicate the background layer twice to create three layers. I then hide the background layer, leaving two layers visable. I then tend to work on the top layer when adding effects, and once I’m happy with each effect, I merge with the second layer before duplicating the merged layer ready for the next effect. This way, you always have your untouched background layer so if you do go terribly wrong, you haven’t lost your original image. You can also use your background layer to compare your edited layer with. I find this very useful to measure how far you’ve come with your editing. If you’ve gone to far, and over edited, you can always reduce the opacity of the edited version to get some of the detail back, before merging with a duplicated copy of your background layer. To create a glamour style portrait, I generally start by tidying up the image. If it’s too grainy, I use despeckle or reduce noise, but this can cause loss of detail to important areas like the eyes or lips. Detail can be recovered by carefully using the eraser tool on these areas. This will reveal the layer beneath. These layers can then be merged and duplicated. I focus very much on the eyes and mouth of my portraiture work, and I frequently select these areas using the marquee tool or pen tool, (set to a feather strength of 100 or so) and sharpen them using the unsharp mask. Any areas that look over sharpened can always be erased with the eraser tool. I also use this method to increase contrast. The next step I might take is to set the colour palette to a very pale flesh colour and select diffuse glow. It’s always best to add each effect in a subtle way. I often repeat effects over and over adding just a hint each time. It might be more time consuming, but the final result will be much more pleasing to the eye. After you’re happy with the glow of the skin, have a play about with the layer effects in the layer palette. My favourites are “overlay” “screen” and “multiply”. To create the effect of smooth skin, I add a suitable layer effect, and then choose gaussian blur. You will have to play about with the slider here to see what strength looks best. I often reduce the opacity after each effect before merging with my second layer. I find the effects work much better adding a little each time. Remember that if you lose any detail in the eye/mouth area, you can recover it by using the eraser tool. The next step might be to add accented edges – I find this can add extra sparkle, especially to the highlights of the lips and eyes. A common setting for the highlight strength is 28 or 29, but again, have a mess about with it and see what effect it has on your image. I use a variety of methods to get the colour and tone of an image right, and I tend to begin by using the selective colour option. I’ve actually only just discovered this way of altering colour, and I find this option gives you much more control than any other method. The best advise I can give on getting the colour balance right, is to trust your instincs. If it feels right, it is. Same goes for any other editing you do. Try not to think too much about how it should look, and more on how you feel about an effect or colour you just added. Art is about expression in the most honest way. If you like it, it’s right! Other options to alter the colour and tone of an image are photo filters, colour balance and variations. I tend to use all of them at some point during my portraiture works. Another effect I frequently use is craquelure. This can work great on eyes and lips to bring out texture and highlight. Again, I will select the area I want to enhance, then after the effect, I usually either reduce the opacity of the layer, or fade the effect via the edit menu so it doesn’t look to harsh. Well, that’s pretty much the basics! I will usually run through each of these effects alternately adding a bit at a time. I often return to the eye/lip area to sharpen or add contrast. The skin can be further smoothed by reducing noise and or, despeckling repeatedly. Any detail like hair, eyes and lips, can again be recovered using the eraser tool. I hope this journal gave you a useful insight into how I go about my portraiture works. It might not be a step by step guide but I hope it will encourage you to acheive the effects you desire from photoshop. Let me know if there are any areas you are unsure about, or if there are any other questions, either leave a comment or bubblemail me. Happy editing!! Jen :-)

  • Root Colors by Danilo Lejardi

    A Cinema 4D render plus postwork.

  • Her by Marie Monroe

    some people just pass on / and it doesn’t matter in what form / they now appear

  • Angel Mama Genetix by Marie Monroe

    what we are and where we come from are the 2 greatest illusions under whose burden we labor needlessly

  • Would You by Marie Monroe

    would you consider loving me even though i have no light and am intolerable, deformed not only in body but soul in a world that is intolerable where i say what it is i have to say whether kind or not and very quiet? would you consider loving me in my world i make as best i can whether tolerable or not?

  • This is White Beard he’s a Swashbuckling Santa prepared to pillage all your presents this christmas! So if you’re looking for a quirky xmas present for a friend, he’s available exclusively on a Redbubble High Quality T-shirt… White beard is joined by his monkey associate Randolph, who’s never found a chimney his golden antlers didn’t get stuck in! So hand over you’re golden dubloons here before White Beard goes to summer in Fiji on boxing day!

  • Self Portrait by Elizabeth Burton

    I used a photo of myself and a photo of my mothers rose garden for the edit. I used Photoshop CS2.

  • Thursday, 13 November 2008 / Rhapsody – A Moment in Love by Ushna Sardar has selected & published for friendship is a verb it’s a the HIGHLY ACCLAIMED book by “Stuart Wood”, with a (5*) rating on Amazon … after “Shall we dance?”, “While you were away”, “I’m Not Gonna Tell You”, “Moon Of My Heart”, “Reservation”, “The miracle”, “You Are My Love My Valentine”, “My Heart’s Collapsed”, “Love Is All”, “I Know The Way”, “Stop Pretending!” & “Everything Has A New Beginning” / it’s my 14th poem has included in that book! / I’m glad to be the part of that (5*) rated book! / Love&Peace, / Ushna.

  • Root Colors 3 by Danilo Lejardi

    A Cinema 4D render + postwork. / Female figure is a Poser figure (Victoria 4) I turned into a Black woman by changing morphs within Cinema 4D; I rendered it with alpha channel in order to obtain a blank background. Later, I opened it in Photoshop and blend various layers with images; also draw a bit.

  • Dissolving by Mason Jones

    Digital piece I did using a picture of myself bended on to a picture of decaying plaster that I used the glowing edges on in Photoshop. These where toped with some pieces of a brick wall and rust. The last layer I used was a picture of blue ink in water. I burned and lightened the different layers until I got the desired affect.

About This Group

This group is for those who create portraits that use the digital medium (photoshop, illustrator, painter etc) or a combination of traditional and digital, to create portraits that represent the sitter or themselves in a modern, abstract manner. For instance, the subjects interaction with the surrounding environment or props that help represent the sitter’s personality. Photographs can be used, but must be digitally altered, no pure photographs (which also includes photo-retouching and colour conversions).

Rules:

  1. If your work is a traditional portrait then it belongs in the Portraiture Traditional Art group, here.
  2. If image is a pure photographic portrait then it belongs in the People and Portraiture group, here.
  3. Limit of 10 pieces per artists
  4. Limit of 2 pieces per artist per day.

See the group rules and join this group here

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