Burned Offerings
Let’s see . . . technical shit: 14-45 lens, Olympus E-510, IS on, ISO 200, Adobe RGB. Manual focus, manual exposure, 1/125 shutter speed, F 6.3 and the lens at 45mm.
I’m very happy with this new camera; I initially saw it as an upgrade of the E500, which it definitely is not. The NMOS sensor gives a very beautiful tonal gradation (I don’t know what else to call it) and seems to handle highlights with less clipping than the old CMOS sensor. The IS is wonderful . . . in some cases, I’ve gotten sharp shots 3 stops slower than what I could have gotten without it.
Anyway, after the Olympus commercial I suppose I should get back to the picture. The picture just happened. An “F8 and be there” thing. My girlfriend and I were driving down the road on our anniversary outing and the building was there. Now it’s here.
I’m fairly happy with it. It’s straight from the camera without any manipulation, which is extremely rare for me.
Burned Offerings belongs to the following groups:
Abstract Art and Underground USAAvailable for sale as Cards, Matted Prints, Laminated Prints, Mounted Prints, Canvas Prints, Framed Prints and Posters
punanibandit, 5 months ago
very nice
Chris Willis, 5 months ago
Terrific abstract…it would make a wonderful oil painting….I really like the mix of textures and shapes….congratulations on being featured.
betha, 5 months ago
Out of the wreckage of others, you have made a wonderful peice of work
lucin, 5 months ago
You have a great eye.
pippa, 5 months ago
Raw and abstract, a great vision..
Maharba, 5 months ago
I’m glad that I took a closer look at this. I thought that it was an original acrylic abstract. Good catch.
Dayonda, 4 months ago
_Congratulations on having this fine work Featured on the ABSTRACT ART Group Page. _
12 July 2008
Excellent work.
artguyphoto, 3 months ago
you have a beautifully artistic eye
shugo, 3 months ago
ahhh,
the evils of convenience.
machinery destroying retrospective beauty,
and giving birth to an entirely new breed of art and all around simplicity.
well done.