Dark urbane
1285 creative works found
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Fitzroy melbourne australia
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people suggested this, so here you go! enjoy, Xxj
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This is picture three in a series of artworks which are composed from images and re-done in composite form. I was trying to catch the essence of a modern concrete jungle and it’s parts. The originals are 500×500 canvas prints.
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Taken in London EC3 COLOUR PORTFOLIO IN THE MOMENT – PHOTOJOURNALISM URBAN DECOR ARCHITECTURAL MOTHER NATURE SUBLIME GRIME PORTRAITURE
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COLOUR PORTFOLIO IN THE MOMENT – PHOTOJOURNALISM URBAN DECOR ARCHITECTURAL MOTHER NATURE SUBLIME GRIME PORTRAITURE
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Silence Lane / I love cemeteries. / For some people, cemeteries are places of dread. For me, they are places of wonderful quiet and peace. A place of resting, whatever your religion, if any. Memories wrapped in stone and tree shadows. A place to reflect, and wonder about life. Perhaps our lives are just perfect – loved ones all around, financial independence; maybe fame and fortune. / In the end, we all wind up here. / / One life, one chance to feel good about it. / My rules for photography and art are very simple – I like it, or I don’t… / / Thanks for visiting my folio :) / I certainly appreciate your taking time to view what I’ve been up to, and enjoy reading your comments. / / / / Writings (or ramblings) / Come, Dark / Chandelier Brain / Eat Me / The 10th / You’re Strange, Rick / Ever-Queen / Sleeping / Beauty / The Black, White & Grey / / / / Hope / / / One / / / Reap what you Sow / / / Trust / / / Directions / / / Unconditional Love / / / The Long Road / / / Silence Lane
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A ward full of beds in an abandoned mental asylum.
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Most of the windows in this place were either cracked, broken or completely removed. It made for some eerie nosies when walking about in the place with the wind rattling through and the curtains flapping about etc.
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The remainder of a building, partially demolished stands right on the waters edge at an abandoned shipbuilding yard. What were once doors into rooms now lead to a drop where the side of a building has been removed. / / / Have a look through the rest of my portfolio to see more pictures from the abandoned buildings i visit. / / / Or you could view my current set where i explain the process and situations you bump into walking around and taking photos in derelicts, which can be found here / / /
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A South London Station on August evening COLOUR PORTFOLIO IN THE MOMENT – PHOTOJOURNALISM URBAN DECOR ARCHITECTURAL MOTHER NATURE SUBLIME GRIME PORTRAITURE
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These were so lovely that coming at them from any new angle gave you an entirely different shot that you just had to take. Someone had obviously stolen the brass rods as you can see from the carpet being bunched here, but thats so very little to worry about when i think about what they could have done here.
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The Adventure Begins / . / Like this? Check out Pinheads Big Cat Diary- / . / / , / MORE DESIGNS / . / / / / / / / /
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Angled shot taken inside the Anglican Cathedral in Liverpool. Really enjoy finding new angles and views within this building and its a great place to practice my photography. / . / Spent a lot of time with the position and cropping of this image to produce the desired look. / . / Your comments always help. / . / ste / . / Location: The Lady Chapel / . / The first part of the Cathedral to be completed and consecrated for worship was the Lady Chapel. The style of this lovely Chapel, which stands at the far south east corner of the Cathedral, is more elaborate than the main body of the Cathedral in a way which reflects its date and the influence of G F Bodley who was, at that time, working with the Cathedral architect.
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Winning entry for Creatives Behind the Lens 2007
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Canon EOS 40D / Focal Length: 17mm / Shutter: 30secs / Aperture: f/18 / ISO: 320 Title: Electric Vespers / Artist: Chris White / Medium: Signed Photographic Print / Technical Help: / Model: Throw caution to the universe…
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Many thanks to darling Jessica of Back Alley Atelier who is always happy to get down and dirty with me for the sake of art :)
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This is the view walking up the main driveway of this abandoned boarding school, i wonder how many kids were unhappy to be taken along this route and left by their parents at the start of the term.
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A brief candle; both ends burning / An endless mile; a bus wheel turning / A friend to share the lonesome times / A handshake and a sip of wine / So say it loud and let it ring / We are all a part of everything / The future, present and the past / Fly on proud bird / You’re free at last. - written by Charlie Daniels, en route to the funeral for his friend, Ronnie Van Zant of the band, Lynyrd Skynyrd. / —-—-—-—-—-—-—-- / all rights reserved. photo taken at teton state hospital. / more of my work is available at www.abandonedamerica.org
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something was wrong with him. every time he looked in the / mirror he became more certain of it. every passing day / widened a chasm, a certain kind of emptiness within him. it / was something he could see in his eyes, a hollowness where / some fundamental building block of humanity was supposed to / be but was not. he could still talk and smile, and seemed to / function well around people, but he knew it must be because / they hadn’t sensed yet that he had a labyrinth of knowledge in / which he had somehow become lost. in his dreams he was / always wandering in the forlorn husks of things that had once / been magnificent but now only echoed his seething discontent / at his own imperfection. the way that he had entered was / sealed and these places in which he had once sought refuge / from the capriciousness of the world were now his prison. each / corridor he tried to exit by only led to more empty rooms, / more places where people had once been but no longer were. / even when he was externally surrounded by others the world / had become a wasteland; the very dimensions had shifted so / that all welcoming things before him were shadows and smoke. / the vaulted ceilings of his most precious hopes were slowly / crumbling and the machinery that drove his will to continue / had ground to a halt. though it was hard to define the outline of it, there was a / certain kind of emptiness about his features. he wondered why / no one else noticed. / —-—-—-——- / picture taken at portside power plant. all rights reserved. / more of my work is available at abandonedamerica.org
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“That which the dream shows is the shadow of such wisdom as exists in man, even if during his waking state he may know nothing about it…. We do not know it because we are fooling away our time with outward and perishing things, and are asleep in regard to that which is real within ourself.” / ~Paracelsus / —-—-—-—-—— / photo taken at tedford power plant / more photos online at www.abandonedamerica.org
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/ Photographer for Hire – All Occasions – Mail Me :) / / My rules for photography and art are very simple – I like it, or I don’t… / / Thanks for visiting my folio :) / I certainly appreciate your taking time to view what I’ve been up to, and enjoy reading your comments. / / / Writings (or ramblings) / Another World / The 3rd / The 10th / Weaver / High-Flyer / The In-Between Place / The Haggard Crone / Come, Dark / Chandelier Brain / Eat Me / You’re Strange, Rick / Ever-Queen / Sleeping / The Black, White & Grey / /
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easily one of the grandest and most ornate asylums ever built, / algonquin river state hospital was a cause of great local controversy during construction / due to running far over budget. the extravagance is evident in the beautiful masonry, / the ornamental woodwork, the stained glass windows with their decorative yet functional iron grating. / olmsted, the man who designed central park, laid out the grounds and the span of the wings / is half a mile, if you walked end to end. / to do so now is impossible. / in an ironic twist, the much-contested (and extremely expensive) yellow pine floors / fared far less impressively over time than those made of other, cheaper materials. / the epic scale of the structural collapse, combined with a devastating fire last summer, / make algonquin river state hospital quite possibly the most deadly building in existence. / floors like the one shown here / give way into gaping abysses, punji pits full of sharp, splintered boards / fanning out from the basement like jagged teeth in the ever-hungry mouth of death itself. / to take this photo i had to make it from the crumbling doorway on the left / onto the sagging mess in the extreme foreground. the floor shifted beneath my feet / and my added weight sent dust and debris cascading ominously into oblivion below. / it was quite possibly the most frightening moment of my life, second only to the one / where i had to get back into the doorway with no real solid ground to support me as i inched closer. / i may not be terribly afraid of death. i may even frequently wish for it. / i am, however, afraid of being paralyzed, of falling onto a rotted shard of floorboard and / laying impaled and broken for hours, with no real help available. i am not too proud / to admit that i wanted nothing more than to stay in the relative safety of the door frame, / or that i am glad that i will never again have to make the nerve-wracking leap of faith / back to the only exit. / that being said, i would do it again if i had to. there is no better example than algonquin / that all things fall apart, and i feel a certain kinship with it. we are both collapsing inside, / and it is an odd thing to see before your very eyes what you imagine / your own heart looks like. / very odd indeed. / —-—-—-—-—-—-—-—-- photo taken at algonquin river state hospital. all rights reserved. / more of my work is available on abandonedamerica.org
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