Feeling wall
101 creative works found
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The sound of birds early in the morning. Best music of all… Oil on Stretched Canvas – No Airbrushing 37 X 42 inches / 94 X 1107 cm Original : / $3000 AU – excluding p&p from Melbourne, Australia / contact my Agents at Gallery 112 / ....................................................................................
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Click on the image below to see the entire artwork / Excerpt Two is a detailed section of the original painting “Finches On Parade” . Which is about the communal abstract chatter that one encounters when in amongst a crowd of like-minded personalities. / I have chosen not to emphasize the precise detail of each bird but rather their general shape as they caper around, to give the impression of constant movement. Oil on Stretched Canvas – No Airbrushing Original : / refer to See The Entire Artwork link above / contact my Agents at Gallery 112 / .........................................................................................
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Imagine if this child could swap places with those on the other side of the wall. Even for a day. Imagine what he might find, what he might lose, what he might think. Imagine what he might do with his new-found privilege. Imagine. I imagine that’s what he’s imagining. The possibilities are endless.
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Ever had that feeling of absence?
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Taken in the bush near Alice Springs. Waiting for the sun to come up and saw this dead tree and just had to take a shot with all the colours behind it.
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Minimalist abstract study of speeding cyclists, focusing more on the dynamics of the speed and motion of their movements / Oil on Stretched Canvas – No Airbrushing 37 X 59 inches / 94 X 150 cm Original : / $2500 AU – excluding p&p from Melbourne, Australia / contact my Agents at Gallery 112 / .....................................................................................
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I have tried to keep the butterfly and its shadow to scale to give the impression of a real butterfly about to land on someone’s T-shirt
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This is a darker version of an image I like and that has been uploaded to RB in the past. Taken in an Adelaide cafe on Rundle Street East.
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I was in northern Rwanda in April 2007 as a volunteer with an aid group and we had stopped to talk with people at a local church. The town was Rhuengeri, it sits close to the border with the Democratic Republic of Congo and has the unfortunate reputation as having been home to a number of those who perpetrated the horrific genocide of 1994. / The atmosphere in Rwanda is one of pervading ‘brokeness.’ Millions of orphans live side by side with those who tortured and massacred their families 14 few, short years ago. Millions more suffer the newer enemy – HIV Aids and countless others wander ghost like in a state it seems of perpetual shock, haunted by the past and overwhelmed by the concept of a future. / This was April. The official month of mourning. When people publicly face what privately never leaves them. / I was sitting on a step tired and desperate for fresh air when I looked into the crowd that inevitably gathered wherever we were. / This woman, is by my guess perhaps 30 and she is as are most, dirt poor. / I was absolutely transfixed by her and her child. / She seemed to me to sum up so much of what I saw. / Love and desperation and yes, compassion. / Her breast is bone dry and cracked and yet she tries to feed her baby. Perhaps it is the hope inherent in the action which feeds her. / At the same time, she looks totally preoccupied by her struggle for survival. / What is she thinking as she gazes into the middle ground? / My thought is, ‘where is the next meal.’ Where will she get it from? How will she share it? And upon finishing it, where will she find the next one? / I was overwhelmed by seeing the reality of those who live literally from hour to hour, day after exhausting day. / It confronted me then. / It continues to confront me now. / – Dog photography – Africa photography / - Beach photography - Black & white photography – Dog photography – Africa photography / - Beach photography - Monotone photography
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. . . I finally did it. / The most addictive substance on earth Oil on Stretched Canvas – No Airbrushing 48 X 48 inches / 122 X 122 cm Original : / Sold / contact my Agents at Gallery 112 / ......................................................................................
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Minimalist Landscape study of the Trees & Hills as they are seen far off out on the horizon Oil on Stretched Canvas – No Airbrushing 36 X 66 inches / 92 X 168 cm Original : / $1500 AU – excluding p&p from Melbourne, Australia / contact my Agents at Gallery 112 / .............................................................................................
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Click on the image below to see the entire artwork / Excerpt One is a detailed section of the original painting “Finches On Parade” . Which is about the communal abstract chatter that one encounters when in amongst a crowd of like-minded personalities. / I have chosen not to emphasize the precise detail of each bird but rather their general shape as they caper around, to give the impression of constant movement. Oil on Stretched Canvas – No Airbrushing Original : / refer to See The Entire Artwork link above / contact my Agents at Gallery 112 / ...................................................................................
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Sitting, waiting for the others in a church in Northern Rwanda, my eyes wandered, taking in the room. To tell the truth I was tired and bored and in need of a day off. Over the other side of the room sat this young man, alone. I’m not sure what he was doing there. Waiting for his Mother maybe? I wondered, should I take a shot? If he saw me it could be really uncomfortable. I mean I was really close and I couldn’t pretend I was photographing anyone else. Anyway I thought, ‘I’ll sneak a shot in.’ So, I raised the camera and started to muck around with the shot. And then he looked up. I cringed behind the lens and just sat there, frozen. He didn’t divert his gaze. For several seconds we stared at each other me on one side of the camera, him on the other. Finally I pressed the shutter. His expression remained exactly the same. I lowered the camera and returned his stare, this time with no mechanical device between us. It sounds corny but something travelled between us. An absolute realisation that we were right there, in the same place at the same time. He didn’t dismiss me or put me down. He stood right on the same level. It was unique.
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Imagine if this child could swap places with us? / Even for a day. / Imagine what he might find, what he might lose, what he might think. / Imagine what he might do with his new-found privilege. / Imagine. / I imagine that’s what he’s imagining. / The possibilities are endless. Also available as a Christmas card – Full size. /
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The erotic emotions of a woman deep in her own romantic thoughts Oil on stretched canvas – No Airbrushing 36 X 24 inches / 92 X 61 cm Original : / Sold / contact my Agents at Gallery 112 / ......................................................................................
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This shot is one of my favourites because it tells such a story. In the forground is a wallet being held by one of my colleagues Bart. He is buying the basket being held by the Rwandan woman in the middle of the shot. All eyes are on the transaction. This represents life and death in Africa as much as any other portrait. It is positive, but you can also feel the tension, the need, the hope. All proceeds to charity. I might even buy this myself. – Dog photography – Africa photography / - Beach photography - Black & white photography – Dog photography – Africa photography / - Beach photography - Monotone photography
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Yes the original intent was turning away from or turning into, however I wanted a more positive take on it and hence the title. It reflects, I hope, a listening to ones self, listening to the voices on the other side of the wall / door / in the next room, to others, and also a listening to what can’t be seen (yet)...the future…on the other side of the wall or in the next moment. Listening to the voice, listening for the moment, listening for the truth… The turning away is about turning from (even hiding from) discomfort, pain, distress, a gaze, the camera (representing truth?) – and turning to face a barren surface, an unforgiving moment or ( ... your interpretation goes here … )
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“Astro Boy” strives to render the iconic cartoon character to look as realistically three dimensional as possible in an attempt to give Astro Boy what he’s always wanted – to be as human as possible. The Pinocchio of the robot world… Oil on Stretched Canvas – No Airbrushing 24 X 16 inches / 61 X 41 cm Original : / $900 AU – excluding p&p from Melbourne, Australia / contact my Agents at Gallery 112 / ......................................................................................
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In this painting I have endeavored to reduce the landscape down to its absolute minimum, focusing purely on the line of salt-bush on the horizon, with one solitary bird hovering in the air, to give the impression of the raw empty heat of a mid day summer where nothing stirs until l the cool of the evening. . . Oil on Canvas – No Airbrushing 24 X 48 inches / 92 X 122 cm Original : / $1200 AU – excluding p&p from Melbourne, Australia / contact my Agents at Gallery 112 / .....................................................................................................
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To give an indication of the sheer size and scale of this cloud mass, on the bottom right of this image there are some full-sized pine trees and that small white dot next to them is a huge lighthouse sitting on the end of an island. . . Digital Camera
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“Seabird In Flight” is about the form of a bird’s airborne movement in relationship with the harmonious contours of the overall landscape. The bird itself becomes a natural part of the world that it resides in. . . Oil on Stretched Canvas – No Airbrushing 36 X 61 inches / 92 X 155 cm Original : / $2500 AU – excluding p&p from Melbourne, Australia / contact my Agents at Gallery 112 / .......................................................................................
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In “Seagull In Flight 2” the focus is primarily on the seagull and it’s contrasting shadow. Both moving in equally opposing directions as the seagull glides close over the peaceful mid-day sand… Oil on Stretched Canvas 36 X 60 inches / 92 X 153 cm Original : / $1500 AU – excluding p&p from Melbourne, Australia / contact my Agents at Gallery 112 / ...................................................................
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View from the air through the eyes of a seagull Oil on Stretched Canvas – No Airbrushing 48 X 48 inches / 122 X 122 cm Original : / Sold / contact my Agents at Gallery 112 / ......................................................................................
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Final image of the “Alice’s Dream” series Pen & Ink Freehand 18 X 12 inches / 46 X 31 cm Original : / Sold / contact my Agents at Gallery 112 / .........................................................................
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