Featured Work
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Road To Nowhere by Vladimir Konovalov
130 seconds F11 iso100 at 10mm / Done with B+W ND1000x / Cokin GND8 / Cokin CP-L Filters…
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Gull Rock by greenbunion
Off the coast at Trebarweth, North Cornwall
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Redcliffe Dawn by bensound
Redcliffe Pier at sunrise, Qld. Australia. / 12 sec exposure, f22, nd8 grad filter.
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Whitby Harbour, North Yorkshire by Paul Corica
On a wet evening in Whitby this long exposure manages to smooth out the water and soften the detail in the sky. I have converted this to black and white but it wouldn’t have made much difference if I hadn’t. This long-exposure captured the mood of the evening well. Because of the weather conditions the town was deserted and quiet. The rain had reduced visibility and the only thing that can be seen on the horizon is the light from a distant boat which had been accentuated by the long-expsoure.
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The Monash by Alistair Wilson
On my way home from the city wanted to capture the S curve in the Monash Freeway near East Malvern setup the tripod and aimed the camera through this bloody annoying fence, it was too high for my tripod so i had to zoom in a bit to miss the pailings. White Balance was tinkered with in Lightroom, 30 second exposure at f 11, focal length was was 37mm at ISO 100 Click here for my other images of Melbourne
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Infinity Cove by Jeff Masamori
Berkeley, CA Approx 20s exposure / 22mm@f10
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Bristol marina by greenbunion
Bristol marina, Cumberland Basin, UK / 60secs @ F22, 10 stop ND filter, taken at midday in March
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Gallipoli by greenbunion
Gallipoli, the heel of Italy
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Mayday #1 by Dennis Jones - CameraView
Storms and lightning rolling down Route 66.
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Earth Hour and the Big Scary Monster by Geoff Coleman
Worth going Larger for this one. Shot from Bradfield Park on the north side of Sydney Harbour – before and during Earth Hour. Man was it crowded and wonderfully festive – hundreds of people out picnicing with candles under the Harbour Bridge – loads of fun. Rather ironically our city administrators shot off some beautiful fireworks at the end but the carbon and particulate emissions probably completely offset the gain from turning off the lights for an hour – oh well, it’s the thought that counts and it’s fun to play “Where’s Wally” and see who turned off their lights and who didn’t. This is my first post from my new camera and lenses – the Canon EOS 1Ds Mk III and 3 L series lenses. I call it the Big Scary Monster: / Big because it’s huge and weighs a ton – they should bundle a forklift truck with it to help lift the thing. / Scary because no more being able to say “Well that would have been a great shot if not for the crappy cropped sensor and lenses”. Now everything crappy in a photograph is because of the crappy photographer – already found this a little confronting. / Monster because each image in RAW is over 20mb which expands into 50mb converted to TIFF. I recently went and tried opening 100 images to create one of my startrails photoblends and the computer went into meltdown – then I realised I’d need at least 8gb of RAM to do what I wanted – who has 8gb of RAM on a computer – sheesh – more upgrades. / So what am I bitching about – it’s an absolutely brilliant camera – just wish the photographer was a fraction as good.
Recent Work
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Light Tails # 3 by Lukas Carruthers
Other Long Exposure Shots /
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more stars over sheffield by Miriam Dobson
Making startrails is proving rather addictive. I’m lucky that it’s winter and there are plenty of cold crisp starry nights about at the moment. Something of the combination of creating an image that can never be seen by the human eye and yet is unmanipulated by digital software is amazing; having nothing to do but stare at the night sky for hours on end is also fantastic. I made this one using a different technique from before: as I live in a city (albeit on the edge of one), I couldn’t leave the shutter open for longer than 10 minutes without encountering the problem of light pollution in a major way. To create this I therefore took 114 seperate 30-second exposures of the sky, on continuous mode, and layered them together afterwards using Photoshop. 114×30 = 3420 seconds, or 57 minutes, of stars.
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Buttermilk Boulders by Moonlight by Nolan Nitschke
These boulders are very popular among climbers. At the base of the Eastern Sierras, Ca. All images are © Nolan Nitschke. You may not use this image in any way without written consent from artist. All Rights Reserved.
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tiger in the house! by tdub303
Don’t you just hate when tigers unexpectedly walk into your house? Yeah…me too… Strobist: 2 green gelled strobes fired to the back at 1/1 and 1 diffused flash fired at 1/16 to the tiger. blue is done by hand with blue LED flashlight and the red lights on the floor were done with blinking LEDs and the bird logo is done with a softbox and stencil. Straight from the camera.
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light on la!!!!!!!!! by loua
from the top of my apartmemt plase. last night, i love went it rain the lights come up from the dark and shine,,
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Rock Pool by Ken Boxsell
Canon 5D
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Thunder by LizzieMorrison
Thunder Over Louisville Fireworks Show
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Light Speed by Brian Robertson
Sorry that I didnt write down any of the tecchy stuff at the time. Photo was take on the beach between Antibes & Villeneuve Loubet in the South of France. It was warm summer night with a large fun fair not far from the beach providing noise and fun. The ferris wheel seemed like a good subject for a long exposure, so using my non-digital Canon EOS 300, I went to auto setting, put the camera/tripod on the roof of the car, and pressed the button. What you see is my 1st attempt so its not that great but I was lucky with the TGV and the car passing during the exposure. I even like the amateur mistake of the reflection off the car roof where the camera was sitting. Probably a C+ must try harder kind of result.
About This Group
The group is aimed at illustrating inventive uses of long exposure photography, with an emphasis on in camera effects. Animation of the inanimate, or movement of the subject within the frame (and the interesting patterns of light this creates) are the core focus of this group. Written pieces that focus on this photographic style (tutorials/technique with visual examples are of particular interest) are also welcome.
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